Pris Campbell’s small town festival

small town festival
a cherry blossom drifts
into the tuba

Pris Campbell  (USA)
Sakura Award, Vancouver Cherry Festival, 2018


Right away, the first line sets the scene. I hear the music and imagine myriad colors at this festival. There is a great deal of humility here as well. I feel the people living in this small town are not seeking attention from mass media outlets. Instead, I feel they host the festival to simply celebrate life in their own small and meaningful ways. 

I also appreciate the contrasts in this haiku between the cherry blossom and the tuba. The cherry blossom is soft, quiet, and small, while the tuba is hard, loud, and relatively large. For me, these contrasts add humor to the haiku and show how the soft, quiet people have their place and are just as valuable as the loud people in this small town. I also like how the cherry blossom drifting into the tuba shows how some things in life cannot be planned but rather happen spontaneously. I also feel the anticipation of the next note of the tuba resulting in the cherry blossom flying out into the wind like a piece of confetti. I feel joy imagining this scene. 

It seems the details of this festival will not make the news outside this town (actually, a lot of positive, uplifting events don’t make headlines in mainstream news). However, I feel the energy of this festival creates invisible ripples that subtly uplift human consciousness as a whole, because everything is connected. In addition, because this haiku won a Sakura Award (and was subsequently read by many people all over the world), this haiku spreads joy and has honored both the festival and the people living in this small town. As a result, this haiku demonstrates how a single haiku can honor and shine a light on people whose lives are rarely seen or noticed. On a personal level, this haiku reminds me to be grateful for this life and the little that I have.

This haiku also reminds me of the Water Village scene in Akira Kurosawa’s Dreams movie. Coincidentally, there are flowers and villagers playing tubas toward the end of this scene! Here is a link to watch it for free online: Akira kurosawa | Dreams Film | The village of the Watermills – Bing video.

This haiku speaks volumes about humility, offers a different perspective, and encourages us to be grateful for what we have and to find joy in life. It also reminds me of how small things in life make a difference in ways we will never know. A powerful haiku.

 — Jacob D. Salzer

Small-town festivals are full of life and colours as I have personally experienced. The gathering of people and the cultural blend make such festivals rich in many ways. This richness captures our senses and lets us enjoy every single aspect of a festival, which unites us with the strings of our uniqueness.

A cherry blossom and tuba elude to the kind of festival it is. The festival could be more eastern, where the poet tried to oscillate between two extremes in terms of sight, sound, and touch. One extreme includes cherry blossoms that are soft, delicate, silent, and peaceful while the other extreme is the tuba which reflects loudness, music, and liveliness. This is how a small-town festival blends the variations of life and beautifully presents them.

Living in the present moment is a quality of small-town festivals. They make people focus more on the ‘here and now’ and challenge their threshold levels to register things that people usually don’t notice. The holistic picture of this haiku may include the wind, the movement of petals, and music that sounds more like orchestrating to the ears and allows people to enjoy it together. 

Hifsa Ashraf

The kigo or seasonal reference in this haiku is “cherry blossom,” which marks spring or late spring. It matches the joyous mood associated with small-town festivals and also the playful last line.

There is no kireji or “cutting word” in this haiku, but the grammatical break in the second line works well. If punctuation was to be used, perhaps an ellipsis would illustrate the word “drift.”

The association between the two parts of the haiku is interesting. One interpretation or feeling behind the association could be that being in a small-town festival is like being a cherry blossom petal that drifts into a tuba. As a contrast, it could be that in a tight-knit community event, there is a cherry blossom entering the new, big world of the tuba. Also, the first line could simply be setting the scene and not trying to make a comparison or contrast. But, what interests me most about the image is that there is suspense and that this beautiful thing in the natural world has become a part of a human-made element.

In terms of pacing, this haiku follows the standard rhythm of English-language haiku, which is a short first line, a longer second line, and a short third line. This approximately matches the traditional rhythm of Japanese haiku.

In looking at euphony, the “l” sound in the first two lines brings a softness to the reading, while the “t” sound presents a more pointed reading. Even more, the “o” sound in the first two lines adds more to the musical quality of the haiku.

Overall, this haiku is highly effective due to its unique imagery, sense of place, and sound.

Nicholas Klacsanzky

Evening Cherry Blossoms at Gotenyama – print by Utagawa Hiroshige, 1831.


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