Lucia Fontana’s Sakura


A beautiful haiga that is well conceived. In Japan, the sakura symbolizes spring or renewal, which means it also brings hope in life when it blooms. In this haiga, the sakura reflects the awakening of meditative thoughts that a person yearns for whilst strolling or walking on a path. It also means the person is contemplating about his/her deep thoughts and is taking some inspiration/motivation from nature.

On the contrary, the feelings may be opposite to what is described above. Maybe fallen or wilted sakura are present, which suggests hopelessness or a change in mood. Maybe a person is oversensitive towards some deep realities of life and relate them to nature.

Overall, the haiga indicates our approach towards different realities of life that can be either positive or negative. However, our deep understanding of those realities makes a lot of difference.

Hifsa Ashraf (Pakistan)

A very traditional haiga. The image brings us into the spring, when the weather is changing. To me, it brings a change of mood: a beautiful festival, the blooming of  sakura, people finding time in their busy lives to take a breath to admire nature.

I was surprised by the second part of the poem. I would say it brings a more modern feel to it, or a nice twist. It brings us back to the sakura, like a reminder.

Maybe there is a touch of sadness, but the second part says, “Hey, its okay to look at the sakura… it’s still blooming, and it will bloom each spring like many years before.” So, this image keeps us moving forward, and is inspiring.

Laughing Waters (USA)

I like that there are two ways of reading the content of this haiga: “sakura blooming/the silence along the path” or straight through as “sakura blooming the silence along the path.” This is one of the reasons why one-line haiku are ideal for suggesting various interpretations.

In relation to the first interpretation, the silence might be created by the beauty of the sakura, and people viewing them in awe. Also, such elements of nature are often silence-inducing, as they make us witness instead of analyzing. “The path” could pertain to a physical path, or one’s spiritual path. I think the poet is referring to both in this haiku. There is always the harbor of silence along one’s spiritual path that one can tap into through meditation and being one with the present.

If one reads the poem in a straightforward manner, it appears as the sakura are physical manifestations of silence. In fact, most things bloom without us even paying to them. We often take the growth of plants and natural life in general for granted.

I noticed the musicality of the content as well. With prominent “o” and “s” sounds, the reader can feel the relaxing nature of the stroll. And at 7 words, the monoku is quite efficient in conveying its mood and scene.

Yun, the artist, has complemented this haiku with a fine abstract sense. With the surrealistic portrayal of blossoming sakura, the meditative and spiritual haiku is expanded upon. In my opinion, the art might even bring a touch of melancholy to the overall impression.

Lucia is an expert in haiga, and it is no surprise that this haiga works so well. I look forward to see more collections of her haiga online.

Nicholas Klacsanzky (Ukraine)

Let us know what you think about the haiga and commentary below.


4 thoughts on “Lucia Fontana’s Sakura

  1. The haiga is a brilliant display with poignant and poetic (miyabi) monoku. The haiku is written as one-line classic with multiple meanings. This style embodies the surrealistic beauty of monoku writing. It is written in such an artistic way, that it exhibits different meanings when read in different ways. This has been enumerated by Nicholas in his comment.
    According to Jim Kacian, “Multiple stops yield subtle, rich, often ambiguous texts which generate alternative readings, and subsequent variable meanings. Each poem can be several poems, and the more the different readings cohere and reinforce each other, the larger the field occupied by the poems, the greater its weight in the mind.”
    Alan Summers opines, “I appreciate how one-line haiku can often be read differently, despite its condensed form. Double-meaning, and double-interpretation is a frequent discovery with gaps and space in between.”
    The haiku by Lucia explores the touch of emotion in different layers by embedding the art of sublime sense like smell, touch, and sound. The fusoku – furi (not too far, not too close) is the art of haiku-photo genre.
    Art of haiku writing is a way of imaging the nature (kocho-fuei) and unveiling the human feeling and relationship with the even tiniest entity. Lucia manifested the zen-feeling for liberation in her haiku. The beauty of the word, “silence’ explores the enlightened (satori) nature.

    Liked by 1 person

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