Eva Limbach’s Evacuation

evacuation —
a little boy waves
into the camera

© Eva Limbach (Germany)
Chrysanthemum, issue 22, 2017

From the onset, line 1 sets the scene.
Eva has left it open as to what the evacuation is about, but immediately the current plight of refugees and other displaced families come to mind.
A harsh, direct, concrete statement.

Then, line 2 is a little boy waving—how resilient children are in adversity!
Here we are shown how the camera creates more excitement for the child on his big adventure…how most children would react!

Now think beyond that…do you see the far-to-near method being used to attain focus?

Consider a big hill of flowers in the distance, then bring yourself closer to a group of flowers in front of you and then a single flower beside you…you have focused in, you can also focus out (this applies to any poetry). So, let’s look at Eva’s haiku again.

evacuation —
a little boy waves
into the camera

A broad scene, “evacuation” then draws you forward to a little boy waving and ending in the eye of a camera…far-to-near focus.
This gives the haiku movement and, when done well, can be very effective. (Remember, this is about evacuation, movement!)

Now the reader can wonder who the camera person is…is it media news? Perhaps it’s the family’s last photo together…many possibilities and lateral interpretations.

This is a powerful haiku/senryu that should evoke emotion in any reader who takes the time to consider its poignant words.

This is why it was accepted and published by Chrysanthemum journal…a wonderful haiku!

– Brendon Kent (UK)

What do you think or feel about this poem? Let us know in the comments.


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