no hint of the beachcomber
but for his whistle
(A Hundred Gourds, December, 2011)
© Kat Creighton (1955 – 2014)
This captures a moment of isness where the senses only show a single sound, at least in the reader’s mind. The wind is probably not strong or heard, since there is fog. So, in hearing only the beachcomber’s whistle, and concentrating on it, the beauty of that whistle is exposed, and in turn, it is a universe in itself. Each thing in its pure perceived form is a wonder and one can gain a sense of enlightenment from being engrossed in a single sound, diving into the moment and being absolutely present.
The mood of the haiku seethes with positivity. Despite the fog, the beachcomber whistles. This brings about an atmosphere of everything being okay, even though obstacles cloud our lives. It is shows an acceptance for what is, and not a grumbling over particulars.
I enjoy the sound of the haiku as well. The “o” sound floats through the haiku like a fog, and the “i” in “hint” and “whistle” brings greater emphasis to the experience of the haiku.
The pacing of the lines brings peace to the reader’s mind, especially with the cadence of the last line. All around, it is a serene and positive haiku that brings us into an attentive state.
– Nicholas Klacsanzky
About Kat Creighton
In January 2014, the haiku community was shocked and saddened to hear that fellow writer Kat Creighton had passed away.
Kat Creighton was born into a large Irish Catholic family in 1955. Throughout high school, she was writing for the school newspaper. Later, she earned a BA in English from Kean University, specializing in Creative Writing, where she had her first poem published in their literary journal “Grubstreet Writer.”
Although she loved writing, nothing seemed quite right until in her adulthood, she rediscovered haiku while reading a novel relating to Japanese culture. She studied short forms of poetry ever since then. In the 1990s, through the internet, she came along the World Haiku Club and authors like Basho, Issa, and Masajo Suzuki. She admired Masajo Suzuki’s sensitive haiku and relied on them as sources of education and constant inspiration. To Kat, the connection between nature and human nature was spiritual as well as physical. And being a photographer as well as a poet, Kat combined words and images to create haiga. As her home was on the New Jersey coast, she often focused her work on the maritime landscape that she knew and loved. She featured it in online journals and in her blog called “My Ninth Life.”
Kat Creighton’s haiku was published in several electronic journals, including World Haiku Review, Short Stuff, Moments, Visual Haiku, Pegasus Dreaming, and temps libres. Creighton’s haiku and haiga have appeared in A Hundred Gourds, Haiga Online, Sketchbook, and Simply Haiku.
Kat’s advice for haiku writers: “What speaks to you personally – that will make for your best writing.”
[From The Living Haiku Anthology, with edits: http://livinghaikuanthology.com/index-of-poets/livinglegacies/2556-kat-creighton.html%5D