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© Laughing Waters (Italy)
This senryu accomplishes a contrast of two opposing moods in the same piece. That is difficult even for the most experienced writers.
1. Our mortality and briefness in this world conveys a serious finality. We are finite and god/God is there with the poet. Perhaps god is just “looking” on as the scene unfolds.
2. Then, there is humor in that it is also god/God giving the poet a memo on her life and referring to it as a role (playing) or even a game–especially a game.
This removes the finality a little since “god” might have another role/game up “his/her” sleeve. We don’t really know and that unknown aspect adds poignancy to the “memo.” It leaves the reader wondering what is meant, possibly after the memo has been received.
This one actually gets away with personifying “god,” if it is, indeed, a memo.
In haiku, we avoid personification of the natural world so it can remain part of the natural world. Clouds, for example, wouldn’t be “crying” but they could sure be used in an image set against another image of a person weeping, crying, lamenting, etc.
– Edwin Lomere (USA)